I've curated a set of weblinks for the Luchino Visconti season at the Showroom Cinema - reviews, essays and historical background to the major films.
The indispensible Prospect magazine organised this debate at the Conway Hall, Red Lion Square, London WC1, with a strong selection of speakers:
My notes are sketchy as I was just getting used to my Palm handheld!Continue reading "After the War: Bush's America and World Order"
I went to see Laurie Anderson on Friday. And because it was the kind of show I'd been waiting 18 years to see her do, I went again on Sunday (same show, but different perspective from the cheap seats). In between, I'd had the opportunity to review some of the material (all new) from my recording. It was an affirmation of those mid-80s concerns of hers about lack of metrics and exchange rates in the economies of experience, feeling and influence, and the uncanny sublimations that take place between these levels.Continue reading "Laurie Anderson - Live review (9, 11 May 2003)"
Yo La Tengo show how to make good music by relying on good taste. They look like they're not really trying very hard. The vocals - especially when Georgia is singing - are indistinct. Their songs don't give up their secrets easily (and the muddy acoustic of the Shepherds Bush Empire doesn't help). But they choose their sounds (muted guitar, unusual percussion etc), their grooves (gentle latin, jazz), their cover versions, and their influences very well.Continue reading "Yo La Tengo - Live review (7 May 2003)"