A month after Ofcom's mutterings about enforced licensing of the BBC's radio archive, a new report commissioned by DCMS concludes "The BBC should examine how it can enter into joint ventures with the commercial sector when considering future archive-based services." The message seems to be that if the BBC isn't making active use of its archive, it should make it possible for others to do something with it. (And the report goes on: "the lack of any formal relationship between the BBC governors and Ofcom… is a problem.")
There's a certain inevitability about this. As convergence comes to fruition, the digital world has a hell of a lot of frequencies, bandwidth and disk storage to use up (cf. an iPod is an "empty beer glass waiting to be filled") . On the other hand, there's a massive pile of historically and culturally exciting stuff hanging around doing nothing. It's natural that policy makers and regulators should want to get this material to an audience one way or another.
This is an acutely sensitive issue at a sensitive time for the BBC. As anticipated in my previous posting on the BBC's digital direction, they need both to conjure a seductive vision of potential archive offerings, and to position themselves so that they are central to delivery of this vision. In this light, reports that the first pilot of the BBC Creative Archive may be too little too late must seem a bit worrying.Posted by David Jennings in section(s) BBC, Curatorial, Music and Multimedia on 21 October 02004 | TrackBack